Rambling Film

Yes we can! This documentary follows former First Lady Michelle Obama as she goes on her book tour for her best selling novel, also called Becoming .  I bought Michelle Obama's novel as soon as it came out and read it quickly. I loved getting a deeper look at her life and her history. The Obama's will always be special to me. The 2008 election was the first one I was eligible to vote in, and of course I voted for Barack Obama. But it's not all sunshine and rainbows for them. They still face massive amounts of hate and racism, more than my privileged self can ever understand. It's not easy but Michelle continues to radiate grace throughout. This doc works as a great companion piece to her novel. On its own, it might seem short on information but not to the point where it isn't enjoyable if you haven't read her words. (Though really, you should.) It still gives us a look into Michelle the person, still out there trying to do the very best. In a ...

Would you get on TV to potentially embarrass yourself in front of millions doing something to win a big bag of money? Even if you wouldn't, you've probably seen plenty of this week's theme from Wandering Through The Shelves : Competitive Reality TV shows. These can be very addicting. Here are three competitive shows that I spent a decent amount of time watching. 1) Chopped I'm addicted to this show. I've never been into cooking shows until I found this one. It's just so fun watching what people come up with and the series regular judges are always a blast. It's been fun watching them grow as well. Like Scott Conant going from onion hating douche to growing a hot dude beard. 2) Dancing With The Stars I was pretty into this show for a solid couple of years until Nicole Scherzinger was allowed to compete even though she was already in a trained dance group. For all the dumb shit that happened on that show, that was what ruined the novelty for me. ...

We could come in first. When we meet Jibran (Kumail Nanjiani) and Leilani, (Issa Rae) they're on their very blissful first dates. Sparks fly, then we fast forward four years into the future where they're having a fight, and ultimately decide to call it quits while driving to a party. On their way there, they accidentally hit someone with their car, he's fine, but suddenly a man (Paul Sparks) claiming to be a police officer jumps in the car with them and murders the man they just hit. He gets away, and the two are left to deal with everything that just happened. I'm a big fan of both Rae and Nanjiani, I finally started watching the former's Insecure on HBO a few months ago and it's hysterical. I was looking forward to this for the one liners alone, and it turns out that's what this movie is all about because the premise is predictable and a little stupid. This movie would've bombed with unfunny leads, but lucky for us both of these actors ...

Quit screwing around. Richard (Richard Armitage) is a divorcee who is trying to integrate his new fiancee, Grace (Riley Keough) into his life. She has a very tragic past, and his two children, Aiden (Jaeden Martell - formerly Lieberher, I have no idea when he changed this) and Mia (Lia McHugh) are not keen on entertaining the thought of her being in their lives. Richard decides to drive them up to a secluded cabin on a mountain for Christmas in hopes this will all bring them together. The Lodge sets us up with the hefty task of suspending our disbelief that Richard is in fact, not a moron. Even though leaving his kids with his fiancee, that they hate, stranded in the middle of nowhere without a car on top of a bunch of other factors that I will not spoil is completely moronic. Fine. What's next? Well, quite the slow burn. The Lodge does a really good job of building tension. While it's slow, it's not slow enough to be boring and even though it heavily foresh...

This weeks' theme from Wandering Through The Shelves are those wonderful last glimpses of people that were taken too soon. The hardest part of this is finding the actual final film. When I saw this I immediately thought "The Dark Knight" but that technically wasn't Heath Ledger's final film. In fact, I unfortunately didn't love a lot of my favorite actors like Heath or Phillip Seymour Hoffman's final films that graced the big screen. Here are three films from actors we lost that were really solid. 1) Network Peter Finch didn't live long enough to accept the Oscar he rightfully earned for this performance. Network is such a good film and the ending is always a bit more sad knowing Finch also passed after it was completed. 2) Thoroughbreds Anton Yelchin had four films come out in the year after his untimely death, the last being the Wonderful Thoroughbreds. It's my favorite of those films that came out posthumously. He doesn't have...

I keep waiting for that moment to happen. Johanna Morrigan (Beanie Feldstein) is a 16 year old girl from a poor family in the UK who wants to be a famous writing. Her wall is covered with photos of people like the Bronte sisters, Sylvia Path, and characters like Jo March who periodically speak to her as she bemoans the fact that she doesn't have the traditional tragic writer story. She's not an orphan, her mother (Sarah Solemani)   just suffers from postpartum depression and is generally exhausted taking care of 5 kids and her father ( Paddy Considine)  is too busy trying to re-live his "glory" days of being in a band that went nowhere. She gets a job writing music reviews for a newspaper, then decides to reinvent herself as Dolly Wilde: sex pirate and unapologetic bitch. It does wonders for her writing. This caught my attention at TIFF last year but now all these months months later, I had forgotten that it was in fact partially based on a novel  Caitlin ...

They don't look at all. When we meet Jahkor (Ashton Sanders) he's shooting two people to death in front of their young child. As he's sentenced to the same prison as his father, JD, (Jeffrey Wright) a man who he never wanted to become, Jahkor reflects on everything that happened before this moment. At one point as Jahkor narrates, he mentions that this is the "same story on fucking repeat" and it is. What writer/director Joe Robert Cole captures well is the hopelessness that you feel throughout. I was intrigued seeing that this was coming from the man who co-wrote Black Panther and also a few excellent episode in American Crime Story's first season. I felt like he had a lot of ideas, and maybe just a bit too many for a two hour film. I found this very disjointed. The opening scene is gripping. The mother of the woman he murders begs to know "why?" and we know that will eventually get answered, but it's going to take its time. The timel...