Rambling Film

Official Synopsis:  Liz Baxter (Aunjanue Ellis-Taylor)  works as a nanny for a prominent white family in Oakland, California. In 1967 she discovers that the Connor children are suffering under the hands of their mother, Jane, (Rachel Lefevre) and attempts to step in to protect the children. This film is based on an autobiography of the same name written by Todd Connor, one of the children who Liz ultimately saved. According to Connor, Liz's bravery goes unnoticed for years until he stands up at her funeral and shares how she saved his and his siblings' lives. I haven't read his novel so I can't compare the film to page, but the admiration for Liz is easy to see.  Writer/Director Sterling Macer Jr has a tough task of re-contextualizing a child's story of his caretaker that he loved so much with what was going on in Okaland in the 60's. This was the during the rise of the Black Panther movement and any encounter a black person had with law enforcement in that time...

I went into East of Eden with zero familiarity of the source material. I’ve never read the book. I never saw Elia Kazan’s 1955 film. But I’m a big fan of his granddaughter Zoe Kazan, so when I saw she was adapting it into a series, I knew that’s what I would start with. This version plays out across 7 episodes giving Kazan plenty of time to flesh out the characters. I enjoyed the series overall, though I expected a bit more from the ending. Florence Pugh is the absolute stand out and it’s nice to see what Joseph Zada can do ahead of his big turn in the upcoming Hunger Games adaptation. I did decide to look up what big changes Zoe made to the source material, so I thought it might be fun to talk about those. Cathy Ames is more fleshed out - I can’t say I’m surprised to hear that a male author in the 1950’s didn’t give his female character any agency but this show is good BECAUSE it chooses to follow Cathy so much. It never makes excuses for her, but it explains why she views the world t...

Official Synopsis:  Bodies start to pile up when a drug-user nurse, Mandy (Angela Bettis) and her cousin, Cathy (Julianne Dowler) try to find a replacement kidney for an organ trafficker. (Mick Foley) This is another film that was featured on the documentary 1000 Women in Horror that I previously had not heard of.  Being released during COVID probably didn't help that, according to IMDb this film grossed a little over $6,000 in its opening weekend. Thankfully, it has now found a home on Netflix for easy viewing. 12 Hour Shift is a horror comedy first, and your mileage may vary with just how much absurdity you can handle. Mandy is a an easy character to follow. She has a drug problem, but she and her co-worker, Karen (Nikea-Gamby Turner) mostly have their shit together when it comes to handling their jobs and moonlighting as organ smugglers. It's when Cathy comes into the picture that it can get trying. Cathy is easily one of the dumbest characters ever written. It's very i...

  Official Synopsis: Follows Frances Haugen (Mikey Madison), a young Facebook engineer, who enlisted the help of Jeff Horwitz (Jeremy Allen White), a Wall Street Journal reporter, to blow the whistle on the social network's most guarded secrets. Writer/Director Aaaron Sorkin follows up the very successful 2010 feature he also wrote, The Social Network with how Facebook is still ruining people’s lives. Only this time he loses Director David Fincher, his Oscar nominated star in Jesse Eisenberg, but you know what? That’s fine! He doesn’t want you to view this as a sequel anyways. And it’s true. this isn’t exactly a sequel, but Fincher, Eisenberg, and I’d argue even Trent Reznor and Atticus Ross cast heavy shadows over the film that is sometimes just impossible to get around. I’ll start with the good. Because there IS good here. I’ve always been a big fan of Sorkin’s writing, even if his directing isn’t as strong. The rapid fire dialogue has always appealed to me and because of it, his...

Official synopsis : A lonely hairstylist, Claire (Najarra Townsend) becomes obsessed with the private lives of her clients and descends into murderous madness.  This was one of the films I learned about from the 1000 Women in Horror documentary I watched recently. Director Jill Gevargizian adapted this from her short film of the same name. This film is shot like a 90’s erotic thriller at times. the close ups of Claire doing hair with that sensual score playing in the background made me think of that immediately, and it works despite this being a pretty un-romantic film. Claire is a pretty interesting character to follow. It would be easy to write her off because she IS a murderer, but she’s also just an incredibly awkward woman. I weirdly had a soft spot for her. It might be the first time I’ve ever been worried about a serial killer taking too long in a room. Like girl, you’re gonna get caught. The film reminds me a lot of Maniac (2012)  which was another I really enjoyed. Yo...

  Official Synopsis: A celebration of pioneering female filmmakers and performers who have left an indelible mark on horror cinema from the beginning of the silent era to the present.  October is in full swing and I wanted to take this month to finally catch up on some horror films that I missed. And what better way to start than with documentary that gave me a few more ideas to add to the list There are far more than 1000 women in horror, as this doc points out, but it’s nice to get a few of them together so they can talk about the genre they love. Director Donna Davies keeps the runtime concise, though I could’ve listened to these ladies talk for hours. She’s also very careful of what horror clips are shown, because if we’re going to talk about women in horror, we are eventually going to get into some uncomfortable topics. As someone who struggles to watch media with sexual assault scenes, I really appreciated that Davies doesn’t jump scare us with inserted assault clips o ...