Rambling Film

Official Synopsis:  Two unlikely allies (Betty Clark and Jessica Zitter) work to bring curiosity, connection, and compassion to a broken healthcare system, one patient at a time. I'm pretty ignorant when it comes to Chaplains in hospitals. I didn't even realize they are mostly non-denominational and serve everyone. I just assumed, since the U.S puts such a heavy focus on Christianity that they would be too. I'm sure some are. But Betty Clark prays and shows compassion to everyone. While I came in skeptical, she easily swayed me. Jessica Zitter, the titular doctor and director of this doc is initially dismissive of Betty. When Betty calls her out on a microaggression in the work place, Zitter at first gets angry, then realizes she was wrong and apologies. And that's one of the main points of this documentary. Acknowledging your biases, and trying to move through them. We see plenty examples of this through their interactions with patients. A black woman with sickle cell ...

Official synopsis:  Andy Sachs (Anne Hathaway) reunites with Miranda Priestly (Meryl Streep) as they navigate their careers amid the decline of traditional magazine publishing. When this was initially announced as a sequel, I had zero interest in seeing it. With so many legacy TV shows and movies doing reboots lately, it's just not something I'm ever moved to see, no matter how much I loved the original product. But, like I'm sure the studio would have it, the marketing began to sway me, and suddenly I was accepting of a sequel to a film so iconic. Get my clown make up ready, because I loved this. I went into it with expectations on the lower side and I came out enjoying it almost as much as I did the original. (No Adrien Grener really helps) The fan service to the original was integrated well and kept brief. The story ended up being a lot more intriguing than I gave it credit for. Choosing to focus on the decline of journalism in print was a good choice. I think there'...

  Official Synopsis:  An American POW in the Korean War is brainwashed as an unwitting assassin for an international Communist conspiracy. What I knew going in: The basic plot I worked at a movie theater in high school when the 2004 remake of this came out, but I never watched it. All I knew is that they changed a lot of major plot points to modernize it. I figured when I was ready to take the Manchurian plunge, I'd start with the original. And I'm not going to lie, there were times where I wished I was watching Denzel instead of Frank Sinatra or Laurence Harvey, because lets be real they don't hold a candle to him, BUT thankfully this is a solid political thriller overall. It did a good job making you guess and building tension, though not without a few red herrings. It's the ladies that are the biggest draw and also the biggest question mark of this film. Angela Lansbury give a great villain performance. Her scheming Eleanor Shaw is by far the most memorable characte...

Official synopsis : Long-buried wounds rise to the surface when iconic pop star Mother Mary (Anne Hathaway) reunites with her estranged best friend and former costume designer, Sam  Anselm (Michaela Coel), on the eve of her comeback performance.   Coel, Hathway, beautiful costumes, pop music, horror elements, could anything be more made for me? That's what I hoped to find with David Lowery's latest. He's a director whose films I've enjoyed in the past. So did he do it? For the most part, I was absolutely vibing with everything. Coel is giving a Shakespearean performance. Her monologues are intense and full of intrigue. Hathaway is broken, but comes alive on stage. She's very committed to her role as a pop star. Especially during a particular dance number that's stripped quite bare. Lowery wants the audience to have their own interpretations to what's happening now, what happened then, he leaves a lot of room for us to fill in the blanks. Almost too much room...

Welcome back to me still trying to figure out how I want to talk about TV on my blog. It's been a BUSY TV month. I only made it to the theater three times (Solid films all around though) and the rest of my movie watching has been on airplane seat backs as April was another busy travel month. But I watched a ton of TV and have so many thoughts. The Pitt (Season 2) - The season is officially finished. I don't think it wrapped up as neatly as season 1 did, but I won't lie and say I wasn't glued to my TV every Thursday waiting to see what happens next. I am worried that Robby "getting close to hitting rock bottom" will be a bit overbearing if they keep going that route in season 3. There's only so many times Noah Wyle can stare sadly at the screen before he turns into an Elizabeth Moss Handmaid's Tale staring parody. I'm sad a talent like Supriya Ganesh is leaving. I get it's a "teaching hospital" and makes sense characters would leave, ...

Official Synopsis:  John Davidson (Robert Aramayo) was diagnosed with Tourette's syndrome at a young age in the 80's which alienated him from his peers as he struggled with a condition few people had witnessed. I've been singing Robert Aramayo's praises for the past couple of years due to his work on Prime's Rings of Power. His Elrond is better than Hugo Weavings. There, I said it. So I've been anticipating this film for quite some time. Even with the BAFTAs controversy looming over it, I Swear will likely go down in history as THE movie about Tourette's Syndrome.  We meet John as a young teenager played by Scott Ellis Watson. Life is going good for him until he starts developing ticks that he can't control. We then skip 13 years and catch up with John as an adult, who starts to live with his friend's family and bonds with Dottie ( Maxine Peake) and eventually gets a job alongside Tommy. (Peter Mullen)  The film skips the initial diagnosis process in...

  What I knew going in : Nothing Two Blind Spots in one month? Who is she?! Someone who hasn't been to the theater to see a new wide release and who has been spending a lot of time binging TV shows, that's who. But I missed talking about movies, so I decided to head over to the Bette David collection on HBO Max. What drew me to The Star , aside from the fact that it stars both Davis and Natalie Wood was the fact that the premise sounded so similar to All About Eve , which I loved. I just had to see why Davis would want to do this again. And while the stories are very different, one of them is a clear winner. And this ain't it. I wouldn't call this movie "bad" because Bette is truly captivating as always, but she is the only one that is delivering her lines in an unstilted way. This is a very weak script, especially when it comes to the dialogue. There's plenty of platitudes and exposition. Poor Natalie Wood basically has to word vomit all her thoughts beca...

Review:  A directionless man, Colin (Harry Melling) is swept off his feet when an enigmatic, impossibly handsome biker, Ray (Alexander Skarsgard) takes him on as his submissive. Alexander Skarsgard in leather? Say no more. I have been wanting to see this film for ages and my local indie theater finally opened it. And while I'm not surprised a film like this didn't get any academy love, I can't believe they let a performance like Harry Melling's just fly under the radar this year.  Colin is a nice, but awkward guy. His parents are trying to set him up on dates, but he's drawn to Ray. Of course you can't blame him. LOOK at Ray, but Colin gets thrown head first into what it's like to be in a dom/sub life. I think because I'm not as familiar with that kink, I expected there to be a bit more talk on consent. Maybe that's the point director Harry Lighton was trying to make. Colin can't just go with the flow in a relationship. He too has needs that dese...

Official synopsis:  A happily engaged couple (Zendaya and Robert Pattinson) is put to the test when an unexpected turn sends their wedding week off the rails. What would you do if your partner told you the worst thing they ever did? And it was....intense. That's the situation Emma and Charlie are in. After things get a little too real during a light hearted date, now Charlie is re-evaluating his entire life, all based on one thing Emma did.  The Drama is darkly funny. You will cringe several times throughout. Director Kristoffer Borgli chooses to tell this story with a lot of hard edits, blending flashbacks into the present. It works very well and fits the chaotic energy the film has.  Zendaya and Pattinson both give excellent performances. Emma is a bit awkward and charming and I still felt that way about her even after we hear about what she did. Pattinson spends the majority of the movie crashing out over this, and it's probably one of the best performances he's ...

  Official Synopsis:  When his family goes away for summer vacation, Richard (Tom Ewell) with an overactive imagination is tempted by a sexy new neighbor. (Marilyn Monroe) What I knew going in: Only Marilyn Monroe's iconic skirt scene.  Movies like this make me question my attraction to men. Every man in this film is a complete dog. I'm used to that with films in the 50's but damn was it dialed up to 11 here.  Objectively there was some decent comedic timing here and there. Ewell and Monroe are both believable in the caricatures they are playing. You can hardly call them anything but that. I'm mostly just a little shocked at how much I disliked this. I wasn't expecting anything groundbreaking but everything about this was just so off putting.  When the nicest thing you can say about a film is "Marilyn Monroe is beautiful" there's a problem. This one wasn't for me. Grade: D 

  It's been a while since I talked about what I've been watching on the small screen, but believe me, plenty has been going on. A Knight of the Seven Kingdoms - Okay, technically this was a February watch, but it's been my favorite show of the year so far and it feels SO GOOD to love something from Game of Thrones again. This show has a much lighter tone from it's predecessors and that fits very well into the Dunk and Egg short stories its adapting from. Some of cut-a-ways they do are funnier than what's happening in actual comedy shows right now. I love it. It's only 6 episodes, so if you haven't started, you really should. Casting is A+++ as always.  The Pitt Season 2 - I was late to the Pitt party so I was able to binge the first season back to back, and let me tell you it's EXCRUCIATING not being able to do that for season 2. Don't get me wrong, I like having something to look forward to next week, but every episode immediately makes you want th...

Official synopsis : WWII-era Tommy Shelby (Cillian Murphy) emerges from rural solitude when son Duke's (Barry Keoghan) Birmingham gang strikes a deal with a Nazi agent (Tim Roth), trading war supplies and counterfeit currency that threatens to destabilize Britain's wartime economy. Peaky Blinders wasn't always a perfect show, but it's one I enjoyed quite a bit. I was late to the party, I didn't start watching until COVID, but you're never too late to start. Peaky Blinder's final season was easily the weakest. One of the main cast members, Helen McCrory passed away from cancer, so they had to completely re-write the story and her Polly Gray was such an integral part of the plot that it was never going to match the greatness of the previous seasons. Still, even after all of that, I was looking forward to The Immortal Man and getting back into the Peaky universe. I can say as a fan of the series, that I regret watching this movie. It's not that it's po...

Official synopsis:  A father-to-be (Daniel Roher) tries to figure out what is happening with all this AI insanity. The Sundance Film Festival is always a good place to start when looking for new documentaries to follow throughout the year. This one in particular had quite a few good reviews after leaving the festival, but even I was surprised to see my theater actually opening it this weekend. I rarely see our big chain theater open documentaries, so I immediately wanted to support it. Of course I was the only one in the theater but hey! I did my part! The same team that brings us the AI Doc also brought us the Oscar winning Navalny . The production value is very good and leans heavily into the art that director/subject Roher makes. His drawings fill the screen in between talking heads, and he gets quite a few of those. The doc starts with the AI doomers, then the AI enthusiasts, then the big CEOs of some of these companies (minus two very well-known douchebags) Then it brings in ...

Official synopsis:  Science teacher Ryland Grace (Ryan Gosling) wakes up alone on a spaceship light-years from Earth. As his memory returns, he uncovers a mission to stop a mysterious substance killing the sun, and save Earth. An unexpected friendship may be the key. Andy Weir is an author I've really come to enjoy over the past decade. I enjoyed Project Hail Mary too, and I already knew Gosling was in line to play this role while reading it. So how does the film stack up even with my book reader expectations? Pretty darn good! I will admit, tonally the two mediums are quite different. It's no surprise that directors Phil Lord and Christopher Miller leaned heavily into the comedic moments. It's what they're good at, and it works more often than it doesn't.  Ryan Gosling is really the perfect actor to tackle someone like Grace. He has the perfect balance between comedic and dramatic abilities. Grace is a dorky middle school science teacher, but he's a damn smart ...

We made it to the biggest night of the year! This was certainly a whirlwind of a production. Host Conan O'Brien started out really strong with a Weapons parody, but the production for the rest of the show left a lot to be desired. The sound wasn't very good (maybe that was just my station?) the orchestra cut off several speeches including retracting the mic and dimming lights on winners. Completely awful look. I also felt really weird about the In Memoriam segment. It's awkward when certain people are called out above others. Because yes, there are arguably more popular people on that list, but they're ALL someone's favorite and it just felt a little odd to single some out, even if it was a lovely tribute I Lied To You and Golden's performances were 10/10 no notes. I went 18/24 with my picks! Even though there was a tie, one of my picks still won so I'm counting it. Below is a full list of winners followed by more thoughts.  Best Picture Bugonia F1 Frankenst...

Official synopsis :  In 1930s Chicago, Frankenstein (Christian Bale) asks Dr. Euphronius (Annette Bening) to help create a companion. They give life to a murdered woman Ida (Jessie Buckley) as the Bride, sparking romance, police and radical social change. It's only fitting we get The Bride soon after Frankenstein. Not that either film is connected other than being Franken-Fan-Fic, but director Maggoe Gyllenhaal takes a huge swing with this and I'm here for it. The Bride! tries to be many things. A love story, a police drama, the start of a feminist movement. It also attempts to invoke the voice of the Mary Shelley, which is a bold choice. Not all of these things work. Penelope Cruz and Peter Sarsgard have an interesting dynamic as detectives, and I wish the film had done more with the part of the story that was linked to them BEFORE they are hunting for a pair of murderers. (No spoilers) I think they could've leaned more into the work Ida was doing prior and fleshed out tha...

  Official synopsis: A schoolgirl ruins her two headmistresses with a scandalous lie. What I knew going in: That it was an underrated Audrey Hepburn film This blind spot came from a reader comment, which are some of my favorites. I need people better versed in classic film than me to recommend titles, and this one came up when I expressed interest in wanting to see more Audrey Hepburn.  Seeing her and the wonderful Shirley MacLaine together was a treat. Both play young teachers whose lives are torn apart by one child's lie. And man was that child, played by Karen Balkin the ultimate little shit. There's a reason the highest rated review on letterboxd for this film simply says "can children get the death penalty" It's a frustrating film on multiple fronts. It shows homosexuality as something one should be "ashamed" of (you should never) but at the same time the fact that a film in 1961 was putting this much focus on it at all is pretty significant. Even...

 Okay, I still can't get used to calling these The Actor Awards. I thought the show was kind of chaotic. They started off with a really great skit with the Abbott Elementary cast then, they followed it up with some of the most awkward presenting banter I've seen in a long time.  I actually welcomed the "ad breaks" Netflix had where they paid tribute to different genres of films. They did somewhat redeem themselves with Miles Caton singing after the In Memoriam segment, but it was all over the place. I went 7/13 with my picks, which is awful, but hey! I like surprises too.  What did you think of the show? Below is a list of the nominees and winners + my thoughts.  OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE Frankenstein Hamnet Marty Supreme One Battle After Another Sinners Samuel L Jackson was so excited to announce this win lol. One Battle has Best Picture locked up, so it's nice to see Sinners get to shine here. I saw online that Ryan Coogler became the...

  I'm back with my completely inconsistent Blind Spot Series picks! I swear I'm still trying to look behind, instead of just looking ahead when it comes to movies. And I'm starting the year off with one that I've been meaning to watch for quiet some time. What I knew going in: That I keep mixing this up with Splendor in the Grass I have no idea why I was getting the plot of this movie mixed up with Splendor in the Grass, a film that has NOTHING to do with this, but either way, when I started this film with a lobotomy, then was treated with a grand elevator entrance from Katherine Hepburn, I knew I was in good hands.  Hepburn and Elizabeth Taylor are chewing so much scenery in this. I loved every minute of their monologues. They were so good that poor Montgomery Cliff just didn't know what to do. He seemed stunned in every scene he had to interact with them. I found it unintentionally amusing how lost he looked. I know he was having some personal struggles around th...

Official synopsis:  Tells the story of Lorenz Hart's (Ethan Hawke) struggles with alcoholism and mental health as he tries to save face during the opening of his former working partner Richard Rogers' (Adam Scott) "Oklahoma!" All, I wanted to write this off as pretentious so badly. Just the first few sentences had it brewing under my skin. That and it "took" my beloved Sorry, Baby's Original Screenplay nomination at the Oscars. I was ready to hate this film, it wasn't deserved, but I was ready. Damn it, I loved this.  I was SO hooked by Hawke's performance. It really is HIS film. Everyone else, no matter how nice they are to see. Bobby Canavale as a bartender, Margaret Qualley has Lorenz's college student love interest, even Scott's small part as Richard Rogers are nice, but nothing quite stands up to the power house performance Hawke is laying down. They all compliment it, but it's a one man show. Lorenz Hart would have it no other ...

I thought I was losing my mind looking for my "SAG" nomination post only to yet again forget they changed their name to the Actor Awards. After the mess of the BAFTA broadcast, let's hope this one goes smoothly. Below are my guesses for who will win, and in some cases, who should win.  OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE Frankenstein Hamnet Marty Supreme One Battle After Another Sinners Who will and should win: Sinners This is the one place I think Sinners will prevail over One Battle for a top price. Both casts are extremely impressively but I see this body going for Sinners.  OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE Jessie Buckley – Hamnet Rose Byrne – If I Had Legs I’d Kick You Kate Hudson – Song Sung Blue Chase Infinity – One Battle After Another Emma Stone – Bugonia Who will and should win: Jessie Buckley I think she's a lock for Best Actress at this point. Byrne could be the upset, but I don't see it happening.  OUTSTANDI...